A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Toussaint and Madeleine have loved each other from the cradle. They are now sixty. They have reached retirement age and have decided to return to Corsica. Toussaint has spent thirty years underground in the maintenance workshops of the Paris metro system. he is happy, but Madeleine misses Paris with its excitement and, above all, their son, who is a doctor in one of the French capital's major hospitals. Madeleine has such love for her son that Toussaint teases her by saying she should ask the Pope for dispensation in order to marry him. Toussaint and Madeleine return to Balba at the beginning of the winter when the days are short, the village bar is closed and the men too scarce for even a game of cards. The silence is occasionally broken by the village idiot, Napolean, as he ambles about shouting the coming death of Corsica while on patrol of the locked-up houses he's been set to guard...
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”