Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.

Takeda (Mikio Osawa) and Tsurumi (Junichi Kawamoto)—who killed their own boss and Wakagashira and rampaged through rival turf—are taken into the Doryukai of the Kurohime family by Ryutaro Dojima (Yasukaze Motomiya). Meanwhile, Chifumi Iwaguma (Hidekazu Akai) of the Udagawa-gumi arrives from Osaka to meet Hozumi (Seiki Nagahara), and an oath of brotherhood is approved at an executive meeting—without Dojima’s consent. To stop Hozumi’s power play, Takeda and Tsurumi are ordered to assassinate him. Acting on his own impulses, Takeda ignores the plan and storms the ceremony alone, igniting a brutal internal war within the Kurohime family. All stake their lives and ambitions on rising through the underworld—who will have the last laugh: Hozumi, Dojima, Iwaguma… or Takeda?
Dracula evolved from a person to a monster and then from a monster to a person.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.