10 Black Supporting Characters Who Need a Spinoff
A world of expansion awaits.

Takeda (Mikio Osawa) and Tsurumi (Junichi Kawamoto)—who killed their own boss and Wakagashira and rampaged through rival turf—are taken into the Doryukai of the Kurohime family by Ryutaro Dojima (Yasukaze Motomiya). Meanwhile, Chifumi Iwaguma (Hidekazu Akai) of the Udagawa-gumi arrives from Osaka to meet Hozumi (Seiki Nagahara), and an oath of brotherhood is approved at an executive meeting—without Dojima’s consent. To stop Hozumi’s power play, Takeda and Tsurumi are ordered to assassinate him. Acting on his own impulses, Takeda ignores the plan and storms the ceremony alone, igniting a brutal internal war within the Kurohime family. All stake their lives and ambitions on rising through the underworld—who will have the last laugh: Hozumi, Dojima, Iwaguma… or Takeda?
A world of expansion awaits.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.