Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Eduard Grečner. Film director, dramaturge, publicist and poet. A talented fi lmmaker with precise artistic goals which, due to circumstances and the times, he was not always able to realise. Refl ections on the ideological and aesthetic starting points he consecutively followed during his creative career, [as well as] on the meaning and mission of art and the principles that art should never abandon. [It is] about reality limiting the freedom of artistic expression, confl icts with power and the consequences that Eduard Grečner – a human being and an artist – decided to face without ever compromising his own views and conscience, because the truth is all there is.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.