The film is born on the threshold where the theatre becomes cinema. Without documenting the process, or explaining it, the film invents its own language. Calixto Bieito's radical approach finds a new thrust in the camera of Marcelo Piñeyro. The camera doesn't look in from the outside: it enters, listens, accentuates and reveals details invisible from the stalls. A hybrid experience, suspended between reality and fiction, where the two languages merge to tell a reinvented truth.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
A throwback to the last months of the 20th century in this comedy film.
