Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

Three white male filmmakers meet for a long weekend to make a final attempt to salvage their ambitious, semi-fictional film about “reality.” However, holed up together in an empty room, their creative disagreements only escalate, and the dialogue becomes increasingly defensive and toxic. As the Hollywood film they imagined collapses, the three begin to wrestle each other—desperately, shamelessly—for control over the narrative about what poisoned their collaboration.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Wuthering Heights— What is the cost of love?