
Alan Yentob joins South African artist William Kentridge as he prepares an epic frieze along the banks of the river Tiber in Rome. Alan visits him in his hometown of Johannesburg, the inspiration for the magical hand-drawn animated films he calls 'drawings for projection'. Brought up under apartheid, Kentridge has witnessed the fragile transition to a multi-racial democracy, and his art continues to reflect South Africa's turbulent times.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Women have always been integral to science fiction, and these amazing women prove why.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
This holiday movie serves as the prequel to the TV series The Really Loud House.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.