An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

Two abandoned colonists, Odin Scott and John Creed, are reluctantly thrust into a dangerous quest for an elusive Atlas hidden on the deserted wasteland of a distant planet. Created by a team of talented young filmmakers, this short science fiction film features a cinematic style with strong visual silhouettes, other-worldly landscapes, and a vintage-futurist soundtrack.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.