Growing Fangs: How "Ginger Snaps" Ties Puberty to Werewolves
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.

This 1936 film tells the story of the doings of foreign agents in Germany and their allies among the German population. Having placed an ad in a local paper looking for "contact with bigwigs in German industry", enemy agents Morris and Geyer end up making contact with an engineer named Brockau. Brockau has developed an improvement in turning oil into gasoline and that's just what these enemy agents are looking for. Brockau, for his part, needs money, because his girlfriend is a selfish cow who demands more and more toys and trinkets, which has put our naive little nerd deep into debt. Brockau, however, is not the only unwitting maroon to fall into the clutches of the evil agents: the former bank agent Hans Klemm, now doing his service in the Wehrmacht, ends up being contacted by an agent from the other side and ends up getting blackmailed into working for them.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.