Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Konsta has just been released from prison and has returned to his people in the countryside. Past grudges drive him back into the drug business, despite the efforts of those around him to keep him on the right track. In the end, Konsta is forced to confront his past in a surprising way and makes a decision that will determine the rest of his life.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.