Finding Your Inner Soul and Self in Rip Tide
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.

It’s 1922 in the Quebec countryside, and Claudine Perreault has big plans for her son, François. He’ll enter the priesthood so that God will forgive her for bearing a child out of wedlock. But 17-year-old François is dead set against joining the seminary. Enraged, Claudine strikes him so violently he goes deaf. After his mother’s death, François begins a different kind of relationship with a woman when he buys the wild and aloof young Amica from an Innu peddler.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Not every silence is empty. Some are filled with things too heavy for words.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.