Wayward Really Is Worth All The Hype
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

A team of thieves use a time travel drug to trade places with their future selves to execute the ultimate heist. When interrupted on a job the team must fix their past mistakes to prevent disastrous consequences.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.