John Woo's melodramatic tragicomedy The Time You Need a Friend (1985) stands at the crucial crossroads in the director's career. Woo had been churning out innocuous comedies for more than a few years, and after establishing the "heroic bloodshed" genre, he'd never look back. But this tale of two comedians - estranged former pals who bury the hatchet for one last show together - blends the pathos and male-bonding of Woo's later dramas with the silliness and pratfalls that marked his early works. At their peak, Ku Ren and Shem Bien were an unstoppable screen comedy team, the undisputed stars of the silent era. But a major falling out has kept the duo offstage for decades. Despite the urgings of family and friends, Ku and Shem refuse to reconcile. As both men approach their twilight years, one last chance for a reunion presents itself in the form of a televised charity benefit. Ku Ren and Shem Bien struggle to come to terms with years of bitterness, and bring the house down once again.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
