
Nora disappeared for several months. One summer evening, she strangely reappears at a party with a certain Samuel. Camille, her best friend, comes to find her, wondering what way to behave. The night goes on, a trio forms and time stands still.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.