Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
