
During the summer vacations, the three friends are about to take a trip together to Romania, where they are allowed to complete an internship on the film set of "Dracula Rises", arranged for them by Peter's father, who is responsible for the special effects during the filming. No sooner do they arrive in Transylvania than mysterious events begin to pile up at Countess Codrina's old castle, which serves as the original setting for the film. The three detectives want to find out what all this may have to do with a boy who has been missing for over 50 years, a mysterious brotherhood and an enigmatic undead. Soon, not only the filming and Peter's relationship with his father are at stake, but also the friendship of the three investigators.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
A family drama is woven with quiet yet powerful forces of words and nature.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.