Tim Cantle, an evil-looking fellow, is drinking at a bar. The saloonkeeper's daughter enters, and Tim, slightly tipsy, tries to kiss her. She struggles to escape him. Broncho Billy enters and draws his gun. Tim flees. Tim gets his horse and rides away. As he approaches a house on a hill nearby, he sees Annie Fargo run out of her home, her father cursing her. Tim seizes and kisses her. She strikes him in the face and screams. Her father then comes out and drives Tim away. He sends Annie back into the house, following her with his gun. Tim swears vengeance.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
An in-depth discussion about anti-Black discrimination in college and professional football.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
