What is Horror?
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.