“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Dj Steph is a young radio deejay on the rise, who gained a lot of popularity on social media and every evening hosts a radio show with a large following, during which he receives calls from his fans. One evening, a call chills him to the bone: a cold-blooded stranger announces on live radio that he plans to take his own life, making himself explode in the middle of the city.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Lili Reinhart and Tom Bateman starred in the new Amazon Prime Video film, The Love Hypothesis, based off of the popular romance novel written by Ali Hazelwood. For those who have not read the book but love a good romance story, this film will easily grab your attention and your heart. And for those who are fans of the novel, it is safe to say they were pleased by this adaptation. Because even if you are bad at science, it is easy to see the chemistry between these two characters.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
"Beef" is a new dark comedy with a near entire Asian-American cast
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.