Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

The film follows a prison warden (played by Charles Janssens) who is utterly miserable because his prison is empty. When Max (played by Paul Cammermans) is mistakenly arrested for murder, the warden is thrilled to finally have a "guest." A delightfully absurd situation ensues, with the warden looking after his prisoner like a doting father. In the end, Max is proven innocent and marries the warden’s daughter. Based on the play of the same title by Jos Janssen.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
Word of mouth has been incredible, but the film's faults cannot be ignored.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.