
The attorney Mr. Redi, an old rich man, has no heir a part from a daughter that he has never seen nor known. At his death all his wealth will be devolved in charity. The only persons to take care of him, the one prescribing him very expensive medicaments and the other granting him sexual favors, but mostly it's his faithful chauffeur that aspires to put his hands on his entire wealth.
Korean culture shines in this Canadian export.
The second film takes us on Peter's journey to be understood.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.