In a rare reversal of typecasting, Shaw Brothers' perennial bad guy Lo Lieh breaks tradition to play the honorable and noble swordsman in The Swift Knight. It's a tale of brave knights, chivalry and fair maidens where the Swift Knight (Lo Lieh) finds himself involved in romance, court intrigue and deadly jousts while trying to protect the lives of a pair of siblings as the fate of the throne depends on them.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
