At the border between the earthly and the otherworldly sits an old watchman, observing a fly. His thoughts are interrupted by a strange young man who asks, “How do I get to heaven?” What follows is an absurd, at times comical and unsettling dialogue filled with mistrust and irony. The watchman, bound by routine, faces something beyond logic. The young man, without a ticket but full of conviction, insists heaven awaits him. In the quiet, mysterious ending, the young man vanishes, leaving only a white feather — and a question: what was that? A short animated parable about boundaries, misunderstanding, and the mystery of crossing worlds, with absurdist humor in the spirit of Kharms or Kafka.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
