A reporter investigates the story of a young man who may have been wrongly convicted and sentenced to be executed.
Paul Sloane
Director
Walter Reed
The Chaplain
Lee Frederick
Blackie
Houseley Stevenson
Pops
Howard St. John
The Warden
Sally Parr
The Girl
Patrick Waltz
The Boy (as Philip Shawn)
Louise Lorimer
The Warden's Wife
Raymond Bramley
The Deputy Warden
Charles Meredith
Reporter, AP
Jack Reynolds
Reporter, EP
King Donovan
Reporter, National News Service
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.