The Back-Up Plan (2010): A Heartfelt Rom-Com with Depth
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe

"The Story of Jesus for Children" is a video/DVD which will give every child, both churched and unchurched, a chance to see and hear the gospel of Jesus in a way he/she can understand, in every possible language worldwide. (see our Languages page for current list). "The Story of Jesus for Children" provides a solution to the challenge of teaching children the truth about God and His Son Jesus. The video allows children to hear and see the whole story at once, answering questions in clear and concrete terms, and providing fast action. *(The dialogue of the original "JESUS" film was taken from the Gospel of Luke. It has been translated into more than 1,000 languages and has had more than 6 billion viewings worldwide since 1979, making "JESUS" the most-watched film in history.)
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.