Arianna is a 15 years old teenager trapped in a body that she does not fully know, however she is starting to understand it through a relation born on a web chat with a much more mature man. Beside being unconsciously manipulated, Arianna discovers her sexuality and her self-eroticism through this way of interaction, bringing her to discover the world and leading her to a strong conflict both internal and with her mother. The narration lingers on her personal growth, related to her mother's love, who is sometime very hard but always present to her.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
