Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

An actor living, working, and loving in Vancouver, BC has to deal with personal issues of identity while trying to resist being ground down in the field of film. Working as a background actor through most of his career, Alex begins to wonder if he's made the right choices in life. A non-linear film that explores the issue of how identity is made up as a set of masks.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end