A short film taht takes place over a single day on a sailboat adrift at sea. With no script to rely on, two actors and a musician embark on a journey of improvisation, exploring the intricacies of their craft and their identities in a confined, isolated space. Guided by a director obsessed with uncovering "truth" in performance, the actors navigate the emotional demands of unscripted storytelling. As they delve deeper into their roles, subtle tensions and queer themes begin to surface, revealing the raw, unguarded aspects of their personalities. Shot entirely in black and white, Les Étoiles becomes a stripped-down exploration of the boundaries between artist, art, and authenticity.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
