Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Three farmers in Cypress Corners discover that farm life is not so simple. Discovering a hidden door in the earth, they break through it, discovering they are not on Earth, but in a giant Noah's Ark-like spaceship. The spaceship is made up of giant "domes" holding the various cultures of humanity. Eventually, they find the bridge, its crew dead and its computer complaining that the ship is off-course, heading into the path of a distant sun. The three farmers take it upon themselves to travel the ship, contacting the various cultures of humanity in search of somebody who can correct the course of the ship and save mankind.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary