'Hawkeye' Episode 4 Review: Things Just Got Real
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].

As Hélène is conveying her husband's body across the Sahara, her convoy is attacked by looters. The young widow survives only to be taken to a remote desert village called Tirzit amidst a band of lonely, ailing men. She meets her husband's partner who tries to kill her. Hélène does not report him to the police but is curious to learn the reasons for his action. Before dying of a terrible fever, the man confesses that he murdered her husband.
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch