Alex Chen and his girlfriend, Eloane, head to the mountains in order to go rock climbing. Their light-hearted holiday is put to an abrupt end, however, when Alex receives a shocking telephone call: his brother Jun is dead. Back in Paris’s Chinatown, Alex is determined to find out what happened. While his French mother retreats into mourning, his Chinese father refuses to tell him anything in detail. The traditional wake begins and Alex is left dealing with his relatives and the imminent cultural differences. Reluctant to believe that his brother died of a sudden brain haemorrhage, Alex begins to dig deeper into his father’s family history. His beautiful yet mysterious cousin Lili, who soon begins to exert an unexplainable force of attraction upon him, assists Alex in his quest.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
