Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Katya has a powerful gift: she sees ghosts. When her twin sister disappears, Katya begins a desperate search. Police insist her sister doesn’t exist, that she is a figment of Katya’s twisted imagination. However, during her search Katya discovers that there is a serial killer loose on the streets, and her sister is one of his victims. There is still hope to save her, but in a dark and mysterious city full of secrets, you can’t trust anyone. Not even yourself...
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The movie behind the space toy from the 'Toy Story' film series is finally here.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.