A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Jerry Wendover, disfigured since childhood after his act of heroism in saving a little girl from a fire scarred his face, secludes himself in an old house in the Backwater district of Florida. One night he finds Barbara Seaforth, a young blind girl, lost in the swamps and takes her home. The two unfortunates fall in love, marry, and have a child. One day, a visiting doctor tells Jerry that Barbara's sight can be restored. The operation is performed successfully, but the doctor warns his patient to shield her eyes from the light or risk reversal of the surgery. Barbara, realizing her husband's dread of exposing his disfigurement to her, looks at her child and then permanently blinds herself by staring into the light, thus sacrificing her sight for the love of her husband.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
A young girl named Hailey Mays sings a country song that is named after the film's title.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.