The Soldier’s Tale is a deeply personal documentary about the Iraq War that takes us places no mere journalistic inquiry could go. Sergeant R. approaches director Allen on a plane headed for the U.S. carrying a laptop full of electronic memories shot by fellow soldiers—the digital “war porn” they capture on smartphones and trade like baseball cards. After the soldier mails her a CD with all his images, the two meet in a motel somewhere in the U.S. and he narrates the war for Allen—before trudging back to the battlefield.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
