Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The Sock
A struggling film director has an accident that leaves him temporarily disabled. He is assisted by his cousin, who is permanently disabled himself. The director decides to make a film about the accident and his days with his cousin, but everyone becomes an obstacle in the creation of the movie, especially the perpetrator of the accident.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A struggling film director has an accident that leaves him temporarily disabled. He is assisted by his cousin, who is permanently disabled himself. The director decides to make a film about the accident and his days with his cousin, but everyone becomes an obstacle in the creation of the movie, especially the perpetrator of the accident.
Rating:
Genre:
Written By:
In Theaters:
Box Office:
Runtime:90 minutes
Studio:
Cast
Articles You May Like
The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
‘Halston’ Conveys Confusing Messages of Representation
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Crazy Rich Asians: Cosmopolitan Film but Tacky Title
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!
Bros Being Bros: The Resurrection of the Rom-Com
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.