'Mickey: The Story of a Mouse' (2022)
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.

On his ninth birthday, young Gwyn (Osian Roberts), who lives on a remote hill farm in Wales, receives five strange gifts from his grandmother (Siân Phillips): a piece of seaweed, a yellow scarf, a tin whistle, a metal brooch and a small broken horse. Gwyn offers the brooch to the wind and receives back a tiny silvery spider - Arianwen, the snow spider - confirming that, as his grandmother had already guessed, he has inherited magical powers from his Celtic ancestor Gwydyon, a powerful magician whose exploits are described in the fourth book ("Math Son of Mathonwy") of the Mabinogion. With the help of the snow spider, Gwyn embarks on adventures involving other worlds of snow and silver, as he attempts to solve the five-year-old mystery of his sister Beth's disappearance in a snow storm.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.