The Snooks in the Limelight 

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

People are so much deeper and far more extraordinary than what gender they were assigned at birth.

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.

The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.