'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings fromhis motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
Keep scrolling to find names that should become part of your watchlist!