‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

When a tragic accident ends the life of Mr. Rose, the genius behind Rose's Manure Company, the livelihood of its loyal fleet of salesmen threatens to go, as they say, into the toilet. Enter estranged daughter Rosemary, a high-class- cosmetics salesgirl, who steps in to take control. She is not sure she has a nose for the family business, but she is determined to make foul into profit. Little does she know that a ruthless, slick-talking fertilizer rep is plotting a takeover. Whether she likes it or not, she must trust her top salesman, Patrick Fitzpatrick, to devise a plan to regain Rose's rightful position on top of the heap.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A dark film in the tradition The Brother’s Grimm.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.