Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Kalora is the "slim princess of Morevana," a land in which fat is prized. This distresses her family, who must marry off Kalora, before her rotund younger sister Papova may wed. To remedy this situation, Kalora's father, the governor general, throws a garden party and disguises his slim daughter in an inflated rubber suit. All goes well until the suit ruptures, deflating Kalora to her normal size....
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.