Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Gaspard and Lulu have found the foolproof method for approaching the opposite sex: in a beat-up old Méhari, they cruise the roads and spot their future victim behind the wheel of their car. They provoke her into making a mistake and boom! Accident, accident report, and the beautiful woman's address in their pocket. But here's the thing: on this balmy summer afternoon, while Lulu has found her perfect match in the middle of nowhere, Gaspard realizes he's forgotten the most important thing: the accident report...
Not every silence is empty. Some are filled with things too heavy for words.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.