
After the fall of the Berlin wall, now in his old age, the composer Edward Kazasyan discovers that his late wife, the singer Lia Ivanova, who survived communist labor camps, was forced to work for the secret services. Their dossiers in the State Security archives and her diary from childhood reveal the complicated fate of the singer, who strove the conquer the big stage while juggling a "second life" imposed on her by the system. Torn by doubts that his life was contrived and false, he once again relives their love and career in his loneliness, trying to find his place in this living puzzle.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction