Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After a car accident, Kaisar's driver is deprived of his driver's license for five years. The hero gets a job as a gamekeeper, and faces shameless poaching. A young huntsman comes into the confidence of criminals and, having warned the police, organizes a hunt for them.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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