'The Birdcage' is a Fun Film to Watch for Pride Month
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.

After surviving a lifetime of debilitating pain caused by sickle cell disease, Gabriel Badejo takes the greatest risk of his life by undergoing an experimental stem cell transplant in hopes of a cure. The Sickling follows Gabriel’s emotional and physical journey as he confronts systemic racism in healthcare, painful memories of medical neglect, and the global realities of living with an often invisible disease. From Toronto to Nigeria, the film explores the intersections of illness, identity, family, and survival while uncovering the historical inequities that continue to shape sickle cell care worldwide. At its heart, The Sickling is a deeply personal story about healing, resilience, and the fight to reclaim a future once thought impossible.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.