Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

Nasreen is a cleaner, with dreams of movie stardom. Lacking the contacts to realize her ambition, she creates extravagant characters to play - zombie hunters, punk clubbers, high-powered corporate financiers - and imagines film crews are on every street corner and real people are just extras, and that all of life is just a film set. So equipped, she heads off on an adventure, with the most extraordinary results.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
‘A Good Person’ makes it clear that forgiveness is hard.