
In what appears to be her last show, a burned out sketch comedy writer/director shares a behind the scenes look at the "mounting and sustaining" of "Orange Is the New Orange"; a sketch comedy show that skates on the edge of disaster. It's a look at "what could go wrong, that did go wrong." In this 90-minute mockumentary, Orange County Crazies founder Cherie Kerr finds herself in the middle of the most stressful production of her 40-year career. It starts with the first table read and takes the audience to the final curtain--the last night of the run.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).