
As if filling out the profile for a dating app, the director dissects his story and builds a log of desire. He converges images of his childhood in a hairdressing salon in the suburbs of Buenos Aires, the codes of cruising in the late 90s, and the daily life of the throuple he was part of for 7 years.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Emily and Stephanie are back... just add gin and drama.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.