Based on the story from Nizami Ganjavi's 'Treasury of Secrets' (Sirlər Xəzinəsi). The animation depicts the story of a cruel Shah and his loyal servant, serving as a moral parable about justice, loyalty, and the consequences of one's actions. It is a notable example of 1970s Azerbaijani traditional animation style.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Chickenhare and the Hamster of Darkness explores true identity through exploration.
