‘Thunderbolts*’—A Spark of Hope in Dark Times
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

Juhan Liiv, a struggling poet and an unlikely detective, solves gruesome murder cases in Estonia, the Wild West of the crumbling Russian Empire in the 1890s. Investigations take him to miserable dwellings of the local Estonian peasants, luxurious castles of German nobility that have sworn allegiance to the Czar, and to the depths of ancient forests where witchcraft is still practiced. Juhan is fighting crime and his own inner demons. He is considered mad and pronounced crazy. But by standing for justice and truth, at the end of the day, he is the sanest of them all.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
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