The Seven Little Foys (1955)

‘A Good Person’ makes it clear that forgiveness is hard.

This reboot of The Wonder Years is told from the lens of a Black man.

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.

“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.