Ippei Akabane (Takaya Kamikawa) is an unpopular novelist. He barely makes ends meet writing serials novels under different pen names. Daigo Kurei (Shinji Takeda) is on death row. He killed four women twelve years ago. During his murdering spree, he sent pictures of his decapitated victims with flower decoration to the police. The murders and photos caused widespread panic in Japan. One day, Ippei is contacted by Daigo from prison. He asks Ippei if he wants to interview him and write his memoirs. Soon, more women are killed in the same grisly manner as the serial murders from twelve years ago. Now, Ippei becomes the prime suspect of the police and Ippei must quickly find the real murderer. Based on the novel "The Serialist" by David Gordon (published by Simon & Schuster; Original edition on March 9, 2010).
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
This anti-love young adult movie includes mature topics and dialogue.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
